Born in Eisenach, Saxe-Eisenach in the year 1685, Johann Sebastian Bach began his music career by learning to play the harpsichord and the violin, which his father had taught him to play. His family was a musical family; his father was an organist at the church and his brothers and uncles were organists and composers as well. As a matter of fact, his uncle, Johann Christoph Bach was well known at the time for his musical talents. Bach’s family was quite successful in music and became well known for their talent.

At the age of 10, tragedy struck Bach’s immediate family when his mother, unfortunately, passed away and his father followed within a year. After the death of his parents, his older brother took him in and that’s where Bach continued to learn what he could from his older brother. It was also during this time that he learned to play the clavichord. 4 years after moving in with his brother, he earned the Choral scholarship, which allowed him to go to St. Michael’s school in Luneburg for 2 years. There, Johann Sebastian Bach learned more about playing musical instruments such as the organ and the harpsichord but also studied some theology, geography, other languages, history, and physics.

After 2 years at St. Michael’s school, he went to the chapel of Duke Johann Ernst in Weimar where he stayed for about 7 months as a court musician. During this time his reputation as an organist had begun to grow. Life continued to improve for him when he took the position of organist at a church in 1703, which gave him a higher salary and also gave him more time to develop his own creations. It was there that he started creating some of his own compositions, although he had much to learn about being a music composer.

He remained in this position for about 3 years before he decided that it was time to move on. In 1706, he was offered the position of an organist at the church of St. Blasius’, in Muhlhausen. Later, he married Maria Barbara and together they had seven children. Unfortunately, only 4 of the 7 children made it to adulthood. Maria Barbara passed away in 1720 and Bach remarried Anna Magdalena in 1721 and together they had 13 children. Sadly, only 6 of the 13 grew into adulthood.

As time went on, his reputation and career continued to grow. He accepted a few different positions including being the director of music for Prince Leopold of Anhalt-Cothen. It was there that he was able to grow and produce many works for organ and the keyboard instruments of the time, compile “The Well-Tempered Clavier”, the first book of his monumental and produce the exceptional Brandenburg Concertos.

He was eventually moved to Leipzig where he was appointed the Cantor of Thomasschule. All through his life, Bach learned all that he could about music. During the first five years, he produced a number of remarkable works, like the St John (1724) and St Matthew (1727) Passions, though he had limited resources.

During the final years of his life, his music began to develop and major works produced at this time include the Goldberg Variations, Variations for Organ on Vom Himmel Hoch, and the landmark “The Art of Fugue,” which although both unfinished, are great masterpieces. He lost his eyesight towards the end of his life, and eventually passed on in 1750. His legacy and contribution to the music world with all his work and his talented children can never be underestimated.


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Does Ludwig Van Beethoven tune in to the call? For fanatics of music, Beethoven’s life story is without a doubt fascinating and moving. This world-well known performer kept on catching the hearts of artists even after his takeoff in March 1827. Genuine, it was quite a while back when Beethoven kicked the bucket. However, his enthusiasm for music turned into a motivation everywhere throughout the world. Acclaimed for its pieces from the Moonlight Sonata, Fifth and Ninth Symphonies and Eliza’s Mech, Beethoven was best helped to remember both a virtuoso and a skilled performer.

Conceived on December 16, 1770, in Bonn, Germany, Beethoven had a place with a group of artists. His dad saw his incredible open doors in music, so he trained him for quite a long time each day. Beethoven normally adored music and concentrated piano, violin, and organ, when he was a kid. History Beethoven said that Beethoven started performing openly at six, as the acclaimed established author Wolfgang Amadeus Mozart.

Beethoven’s dad gave him extreme discipline for that he struck his ears at whatever point he committed errors, however never drove Beethoven. His predecessors did not need to push him to proceed with his melodic profession, as he wanted to be an excellent artist in any case. Beethoven took in the basics of music by K.G. Ninfa later turned into his associate when he was 11 years of age. Nephi showed him how to play the instruments well. The life story of Beethoven imparted to the way that the kids’ sensation left an official instruction to begin a full profession in music at 13 years old years.

Like Mozart, Beethoven’s account rouses. Mozart and Beethoven are identifications that the music business never perceives. At the point when his dad passed away in 1788, Beethoven felt the obligation to accommodate his two more young siblings and himself, so he played the viola in the symphony. In Vienna, Beethoven additionally reinforced his abilities with Franz Joseph Haydn, where he was welcome to various exhibitions in homes and royal residences. His creations powerfully mirrored his most cozy feelings. His combination of tones and harmonies alongside his emotions transformed into the best bits of adoration tunes and ensembles that throughout the years have made the accompanying.

In spite of the fact that he was stressed over his issues with hearing, Beethoven never stopped to exceed expectations in music and shared his structures. His tutors included his dad and Haydn, as well as Albrecht Berger, Schenck, and Salieri. The life story of Beethoven said that his extraordinary association with the crows in Vienna roused him to live there, mainly when Prince Vensky induced him to state whatever remains of his life in return for a decent yearly pay.

The most severe issue, as indicated by Beethoven’s account, happened when Beethoven felt that something wasn’t right with his capacity to hear. It was trusted this is a dozing impact from his dad, who rebuffs him as a youngster. Regardless of the possibility that his listening ability issue scratched off his profession, he still proceeded with his authority, and afterward created orchestras, for example, Erotica Symphony 3, 5, 6, 7 and 8. He composed music for ensembles, musical dramas, sonatas, groups of four, pianoforte and violin. Despite the fact that Beethoven was unfortunate in adoration, his sensitivity for music was unique. He kept on driving the ensembles, where, regardless of the possibility that he didn’t hear the acclaim of his audience members, despite everything he had a grin all over, seeing their applauding motion. The income of Beethoven enabled him to get a solution from his falling apart wellbeing. His demise on March 26, 1827, at 56 years old was a red letter, which checked his passing, as well as enormity as an enthusiastic artist.


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One of the most famous charms of the chorals in the organs of Johannes Brahms, “Herzlich here is the miracle verlangen” (6/4 meters), Op. 122 can be considered part of the novice organ. It’s easy to play because of a languid tempo, right pedal and lack of imitative polyphony. His soft but sad character can make a nice contrast in your body if you play it between two louder and faster figures. In this article, I will give you five tips on how to learn this prelude chorale.

1. Repeated notes. Several halftones are repeated in the chorale melody in the part of the pedal. According to the tradition of the technique of Legato’s game, repeated notes should be shortened with the help of true rhythmic value. Brahms wrote for the clarinet in his early orchestral works, such as two serenades and his symphonies, but his interest in the clarinet had to be expanded when he met a virtuoso clarinetist named Richard Mulfeld. Starting his musical career as a violinist, Mühlfeld soon became the leading clarinet of his generation. Becoming friends soon after they were introduced, Brahms and Mühlfeld will discuss clarinet possibilities, and Mühlfeld often plays a repertoire in his style for Brahms.

Narrow down these notes by the smallest frequently used rhythmic value in this part (the value of a unit). This will be the sixteenth note. This means that you must make the sixteenth note. Repeated notes on the left side should be shorter than the sixteenth note.

2. Preparing the pedal. It’s best to automate your pedal playing in this part, applying the pedal preparation technique. For example, as soon as you release the pedal played by the right foot, immediately slide this foot with a quick movement in the position for the next note and let it wait. The same applies to the preparation of the pedal on the left foot.

3. Rely on dissonance (harmony). Not all notes are considered equally important in this part. The most significant notes in romantic music, as a rule, are those that form a discordant chord.

The dissonant chord consists of dissonant intervals, such as any seconds, sevenths, reduced and extended intervals. In this case, emphasize chords that have four or more chordal tones and chromaticity. In other words, rely on dissonances, being late or holding them a little longer.

4. Long melodic lines. Brahms’s signature is his endless melodies, somewhat similar to the words of Richard Wagner. The difficult part of playing long melodic lines is that you can not breathe in the middle of the line.

Instead, use your mental focus, looking for the end of this line. Do not stop mentally in the middle of the sentence. Also, try to calculate the volume of the measure parts. Thus, long melodies will have a goal and direction, and listeners will be able to follow and appreciate the lines.

Registration. Since the dynamic level of the standard part is the piano, you should use several 8-inch stops. It is best to play the middle section in the helper guide.

Choral melody in the pedals should be based on an 8-inch stop. Do not use 16 ‘in the pedals here. Instead, select a soft 8-inch or 8-minute button with or without 8 ‘flutes.

Use these tips when you practice this charm chorale today. For best results, try to be very precise when performing each part, for example, repeated notes, using pedals and emphasizing dissonant chords.


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(Fryderyk Franciszek Chopin; Zelazowa Wola, present-day Poland, 1810 – Paris, 1849) Polish composer and pianist. If the piano is the quintessential romantic instrument, it is largely due to the contribution of Frédéric Chopin: at the opposite end of the orchestral pianism of his contemporary Liszt (representative of the most extroverted and passionate, almost exhibitionist facet of Romanticism), the Polish composer explored an intrinsically poetic style, a lyricism as refined as subtle, that has not yet been equaled.

There are certainly few musicians who, through the exploration of the timbral and dynamic resources of the piano, have made the instrument “sing” with mastery with what he did. And the song was precisely the basis, the essence, of his style as an interpreter and as a composer.

Son of a French teacher emigrated to Poland, Chopin was a child prodigy who from six years began to frequent the great halls of the Polish aristocracy and bourgeoisie, where he astonished the attendees thanks to his amazing talent. From that time also date their first forays into the composition.

Wojciech Zywny was his first teacher, followed by Jozef Elsner, director of the Warsaw School of Music. His valuable teachings provided a solid theoretical and technical foundation to the boy’s talent, who since 1829 began his professional career as a soloist with a series of concerts in Vienna.

The failure of the Polish revolution of 1830 against the Russian power caused his exile in France, where he soon became known as pianist and composer, until becoming the favorite of the great Parisian salons. In them he met some of the best composers of his time, such as Berlioz , Rossini , Luigi Cherubini and Vincenzo Bellini , and also, in 1836, which was to be one of the great loves of his life, the writer George Sand .

Because of its novel nature and the incompatibility of the characters of one and the other, their relationship has been given to infinity of interpretations. They separated in 1847. By then Chopin was severely affected by tuberculosis that would take him two years later to the grave. In 1848 he made one last tour of concerts in England and Scotland, which ended with an extraordinary success.

The work of Chopin

Except the two juvenile concertos for piano and some other concert work ( Fantasy on Polish airs Op. 13 , Krakowiak Op. 14 ) or chamber music ( Sonata for cello and piano ), Chopin’s entire production is directed to his musical instrument, the piano , of which he was an incomparable virtuoso. However, his music is far from being a mere vehicle for this same virtuosity: in his compositions there is much of the classical tradition, of Mozart and Beethoven , and also something of Bach , which confers on his works a technical and formal scope that is not found in other contemporary composers, more fond of salon aesthetics.

The melody of the Italian operettas, with Bellini in the first place, and the folklore of his Polish homeland, evident in his series of mazurkas and polonaises, are other influences that give his music its peculiar and inimitable physiognomy.

To all this we must add the personality of the musician, who although in the first stage cultivated the classical forms ( Sonata No. 1 , the two piano concertos), from the mid-1830s he preferred other more free forms and simple, like the impromptus, preludes, fantasies, scherzi and dances.

These works are as brilliant – if not more so – as those of their predecessors, John Field and Carl Maria von Weber , but which do not seek so much brilliance in themselves as the expression of a secret ideal; lounge music that surpasses the aesthetic criteria of a specific historical moment. His nocturnal poetics are an excellent proof of this: of exquisite expressive refinement, they have a lyrical quality hardly explicable with words.


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How can one condense in a few lines the life and “miracles” of the greatest genius in the history of music. Among his more than 600 works, which cover all genres of the time, we could cite for example Don Giovanni, the Symphony 41 “Jupiter”, Eine Kleine Nachtmusik or the Requiem K626 and with this it would be more than enough for, after a great reverence, typical of your time, finish the article right here.

But I want to write about this little man with protruding eyes, disproportionate head and pock marks on his face that could only live 35 years.

Before starting with a short biography I would like to clarify several useful points to better understand the life of Mozart .

The musicians at that time were little more than servants under the command of a nobleman who acted as patron , therefore the music was written to order and the composer did not have the power to create to his liking but to the taste of his lord, under penalty to be fired.

Mozart’s Europe is about to change drastically, remember that the capture of the Bastille was in 1789, two years before his death, so the nobility of that time was exhausting their last privileges before giving way to a dominant bourgeoisie. In music it meant the beginning and the end of the refined and subtle classicism that through serenades, entertainment and dances defined the ” age of elegance “.

Johannes Chrysostomus Wolfgangus Theophilus (Amadeus) Mozart was born in Salzburg on January 27, 1756, child prodigy , at age 6 he began to compose and is already a virtuoso keyboard and violinist, which pushes Leopold , his father, to showcase his early talent in endless tours of European courts alongside his sister Maria Anna , nicknamed Nannerl . These continuous trips could irremediably weaken the health of the young Mozart , but also gave him the opportunity to learn first hand the different musical styles in Europe at the time.

From 1769 to 1781 he reluctantly works for the archbishop of Salzburg . Always looking for an exit from that imprisonment , as Mozart called it.

The premiere of his opera Idomeneo, king of Crete , which was his greatest success in life, finally allowed him to leave Salzburg and move permanently to Vienna , a year later he premiered with great success The Rape of the Seraglio , definitive change in the German opera , that the same year he marries, against his father, with Constanze Weber , little sister of his first love Aloysa, who had rejected him.

Lorenzo da Ponte deserves special mention , of his hectic life just to say that he was a priest, an indomitable libertine with his friend, the famous Casanova, in Venice, a writer in Vienna and later in London , ending his life at 89 years of age. Italian at Columbia University in New York , expelled under penalty of imprisonment of all the cities in which he lived until arriving in America . If you have the opportunity, I recommend reading your Memoirs .

Lorenzo da Ponte is co-guilty that this trilogy retains after 200 years the same freshness as the first day. His adaptations in verse to be musicalized are excellent.

The reception in Vienna of those three operas was not as successful as Mozart expected, which left him on the verge of ruin, he could only start to break out thanks to the success of The Magic Flute (1791) but it was too late, Mozart he died on December 5 of that same year.

Much has been written and spoken of the premature death of Mozart , it is normal, to die at 35, of unknown causes, when he composed his own Requiem that he left unfinished … I understand that they can be the threads of a good story.

More recently, the British writer Peter Shaffer resumed the theme for his play Amadeus , taken to the cinema in 1984, directed by Milos Forman and which received 8 Oscars.

But all those legends lack foundation, Salieri was, in his time, a famous composer, and a sincere admirer of the work Mozart . The mysterious image commissioned by the Requiem was nothing but an employee of Count Franz von Walsegg , who had just lost his wife.


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Cello Suites

Every time I hear this piece by Bach I want to play the cello more than anything.  I have no talent for it unfortunately but that doesn’t change the fact that this is one of the most beautiful pieces of Bach’s that I have ever heard.  Hope you enjoy it!